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Cider Making in the Country
Cider Making in the Country
Artist (1820 - 1863)

Cider Making in the Country

Date1863
DimensionsFramed: 42 3/8 × 60 × 2 3/4 in. (107.6 × 152.4 × 7 cm) Sight: 35 9/16 × 53 3/4 in. (90.3 × 136.5 cm)
Object numberN0426.1955
Credit LineCollection of the Fenimore Art Museum. Gift of Stephen C. Clark
Photograph by Richard Walker
Label TextCider making was common among farmers in 19th-century New York because it provided hard cider and vinegar for home consumption and barter. Following the Civil War, the demand for farm-made hard cider diminished as a result of temperance and inexpensive distilled liquor. In this painting, George Henry Durrie captures a nostalgic scene of a traditional chore throughout the rural northeast, but one that was beginning to disappear. Durrie is most noted for his images of the settled American countryside. Working previously as a portraitist and sign painter, he turned to land-scape and genre scenes in the early 1850s. In 1857, Durrie caught the attention of the famous printmaking firm of Currier and Ives and from them received his first commission. His images achieved instant popularity. For most of his life, Durrie had a modest, provincial career that was expanding to a national scale when he died.
Exhibition History“American Treasures from the Fenimore Art Museum,” Society of the Four Arts, Palm Beach, FL, February 20 – April 11, 2004.
On View
On view
Cider Making on Long Island
William M. Davis
c. 1870
Boats of Venice
George Henry Smillie
ca. 1885
Summer, Montclair
George Inness
1887
On The Canal
Edward Lamson Henry
1885-1890
Cider Mill
William Carlton
1850-1860
Politicians in a Country Bar
James Goodwyn Clonney
1844
Red Mill
Unidentified Artist
n.d.
Newburyport Harbor
Thomas Alexander Hamilton
1865-1875
Kept In
Edward Lamson Henry
1889

5798 STATE HIGHWAY 80
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