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ProvenanceM. Knoedler, New York City; Dr. Lewis A. Stimson, New York City; Private collection, Long Island, New York; C. McCarty, Tucson, Arizona; Private Collection, Wichita; Kansas; Kennedy Galleries, New York City; Frank Ongsbury, Ogdensburg, New York; Gerald Peters Gallery, Santa Fe, New Mexico; Private Collection, Fort Worth, Texas
BibliographyBaigell, Matthew. The Western Art of Frederic Remington. New York: Random House, Inc., 1976, n.p.
Christie's Important American Paintings, Drawings and Sculpture. 9 December 1983, lot 130.
Hassrick, Peter H. and Melissa J. Webster. Frederic Remington: A Catalogue Raisonne of Paintings, Watercolors and Drawings. Vol. II. Cody, Wyoming: Buffalo Bill Historical Center / Seattle, Washington, and London: University of Washington Press, 1996, p.634, no.2220 & p.827, no.2883.
Artist
Frederic Remington
(1861 - 1909)
When His Heart is Bad
Date1908
MediumOil on canvas
DimensionsSight: 37 1/2 × 34 1/2 × 2 1/2 in. (95.3 × 87.6 × 6.4 cm)
Object numberT0615
Credit LineGift of Eugene V. and Clare E. Thaw
Photograph by Richard Walker
Exhibition History"Remington, Russell and the Language of Western," Trust for Museum Exhibitions, Memphis Brooks Museum, Memphis, TN, November 16, 2000 - January 28, 2001.ProvenanceM. Knoedler, New York City; Dr. Lewis A. Stimson, New York City; Private collection, Long Island, New York; C. McCarty, Tucson, Arizona; Private Collection, Wichita; Kansas; Kennedy Galleries, New York City; Frank Ongsbury, Ogdensburg, New York; Gerald Peters Gallery, Santa Fe, New Mexico; Private Collection, Fort Worth, Texas
BibliographyBaigell, Matthew. The Western Art of Frederic Remington. New York: Random House, Inc., 1976, n.p.
Christie's Important American Paintings, Drawings and Sculpture. 9 December 1983, lot 130.
Hassrick, Peter H. and Melissa J. Webster. Frederic Remington: A Catalogue Raisonne of Paintings, Watercolors and Drawings. Vol. II. Cody, Wyoming: Buffalo Bill Historical Center / Seattle, Washington, and London: University of Washington Press, 1996, p.634, no.2220 & p.827, no.2883.
On View
On view
