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Bag

Datec. 1840-1850
DimensionsOverall: 11 1/2 × 11 in. (29.2 × 27.9 cm)
Object numberT0779
Credit LineGift of Eugene V. and Clare E. Thaw
Photograph by Richard Walker
Label TextInward curling lines, often referred to as double curve motifs, are prominent design elements on these bags and may symbolize vegetation and bounty. Similar beadwork is found on formal clothing such as chief’s coats, hoods, caps, moccasins, and sashes. Mi'kmaq beadworkers often selected the finest red or blue wool since it provided a rich contrast to their intricate beadwork.
Exhibition History"Art Des Indiens D'Amerique Du Nord Dans La Collection D'Eugene Thaw," Mona Bismarck Foundation, Paris, France, Somogy Editions D'Art, January 21, 2000 - March 18, 2000.

"Treasures from the Thaw Collection," Wheelwright Museum of American Indian Art. Santa Fe, NM, May 1, 2000 - December 31, 2000.
ProvenanceRichard Pohrt, Jr., Santa Fe, New Mexico
Bibliography"Tenth Anniversary of the Eugene and Clare Thaw Collection of American Indian Art, 1995-2005" in Heritage magazine, 2005, vol 20. pg. 11.

Fognell, Eva and Alexander Brier Marr, eds. Art of the North American Indians: The Thaw Collection at the Fenimore Art Museum, 2nd ed. Cooperstown, New York: Fenimore Art Museum, 2016, p. 99.
On View
On view
Bag
Mi'kmaq (Micmac)
c. 1840-1850
Bandolier Bag
Potawatomi
c. 1900
Bag
Seneca (Haudenosaunee)
c. 1840-1860
Bag
Seneca (Haudenosaunee)
c. 1840-1860
Moccasins
Mohawk (Haudenosaunee)
c. 1860
Bag
Niantic or Mohegan
c. 1860-1890
Bag
Niantic or Mohegan
c. 1860-1890
Octopus Bag
Ellen Underwood (Taswatha)
1860-1880
Sash
Wendat (Huron)
c. 1840
Bag
Northwestern Metis
c. 1870
Bag
Anishinaabe (Ojibwa)
c. 1900
Bag
Ho-Chunk (Winnebago)
c. 1880-1890

5798 STATE HIGHWAY 80
COOPERSTOWN NY, 13326
607-547-1400

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