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ProvenanceMorning Star Gallery, Santa Fe, New Mexico
BibliographyMorning Star Gallery. Santa Fe: Morning Star Gallery, 1992, p.18.
Vincent, Gilbert et al. Art of the North American Indians: The Thaw Collection. Cooperstown, New York: Fenimore Art Museum, 2000, p.250.
Fognell, Eva and Alexander Brier Marr, eds. Art of the North American Indians: The Thaw Collection at the Fenimore Art Museum, 2nd ed. Cooperstown, New York: Fenimore Art Museum, 2016, p. 269.
Culture
Akimel O'odham (Pima)
Basket
Datec. 1950
DimensionsOverall: 5 1/2 × 9 in. (14 × 22.9 cm)
Object numberT0474
Credit LineGift of Eugene V. and Clare E. Thaw
Photograph by Richard Walker
Label TextIn the first half of the 19th century Haida carvers began to use carbonaceous shale known as argillite to make an array of artworks such as these for the budding tourist market. These carvings enabled Haida to trade with visiting Europeans in response to tourists seeking souvenirs. Argillite carvings often contain imagery that encompasses both Haida and European cultures. The slate is naturally grey but after finishing the carving the artist rubbed his fingers over the carving and natural oils and sweat created the darkened and highly polished surface.ProvenanceMorning Star Gallery, Santa Fe, New Mexico
BibliographyMorning Star Gallery. Santa Fe: Morning Star Gallery, 1992, p.18.
Vincent, Gilbert et al. Art of the North American Indians: The Thaw Collection. Cooperstown, New York: Fenimore Art Museum, 2000, p.250.
Fognell, Eva and Alexander Brier Marr, eds. Art of the North American Indians: The Thaw Collection at the Fenimore Art Museum, 2nd ed. Cooperstown, New York: Fenimore Art Museum, 2016, p. 269.
On View
On view
