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Frontlet
Frontlet

Frontlet

Date1840-1870
DimensionsOverall: 8 3/4 × 8 × 3 1/2 in. (22.2 × 20.3 × 8.9 cm)
Object numberT0177
Credit LineLoan from the Eugene V. and Clare E. Thaw Charitable Trust
Photograph by John Bigelow Taylor, NYC
Label TextFrontlets worn on the forehead, were an indication of rank. Few attain the mastery of design and execution evidenced here. Exact interpretation of such imagery is difficult, and can depend on the identifying totemic images of the family that owned it. The recurved beak image, for instance, may refer to a hawk or a thunderbird or a mythological raven. The reflective abalone that circles the face may refer to the sun, suggesting that the central creature might be the great mythological being Raven-at-the-Head-of-the-Nass, the owner of daylight.
Exhibition History"The 45th Annual Winter Antique Show," New York, NY, January 12, 1999 – January 25, 1999.

Art Des Indiens D'Amerique Du Nord Dans La Collection D'Eugene Thaw, Mona Bismarck Foundation, Paris, France, Somogy Editions D'Art, January 21, 2000 - March 18, 2000.

Art of the American Indian: The Thaw Collection, The Cleveland Museum of Art, Cleveland, OH, March 2, 2010 - May 30, 2010; Minneapolis Museum of Art, Minneapolis, MN, October 24, 2010 - January 9, 2011; Dallas Museum of Art, Dallas, TX, April 24, 2011 - September 23, 2011; Indianapolis Museum of Art, Indianapolis, IN, December 4, 2011 - February 12, 2012.

American Indian Art from the Fenimore Art Museum: The Thaw Collection, Munson-Williams-Proctor Arts Institute, Utica, NY, October 13, 2018 - December 31, 2018.
ProvenanceAlert Bay Kwakiutl (Kwakwaka`wakw) via Native trade; Henry George, Port Hardy, British Columbia; Norman Feder, Sydney, British Columbia; Morton I. Sosland, Kansas City, Missouri; Sotheby's, 1980; Stefan Edlis, Chicago, Illinois
BibliographyCoe, Ralph T. "Sacred Circles: Two Thousand Years of North American Indian Art." Kansas City, MO: Nelson Gallery of Art, 1977. First published London: Arts Council of Great Britain, 1976, p.130, p. 141, fog. 294.

Sotheby's. 15 November 1980, Sale 4472Y, lot 344.

Vincent, Gilbert T. Masterpieces of American Indian Art. New York: Harry Abrams, 1995, p.76.

Perriot, Francoise, and Slim Batteux, trans. Arts des Indiens d'Amerique du Nord: Dans la Collection d'Eugene et Clare Thaw. Paris, somogy edition d'Art, 1999, p. 126, fig. 101.

Vincent, Gilbert et al. Art of the North American Indians: The Thaw Collection. Cooperstown, New York: Fenimore Art Museum, 2000, p.361.

Fognell, Eva, ed. Art of the American Indians: The Thaw Collection. Cooperstown, NY: Fenimore Art Museum, 2010, p. 136.

Murdock, Michelle, ed. 50 at 20: Masterpieces of American Indian Art from the Thaw Collection. Cooperstown, NY: Fenimore Art Museum, 2015, p. 28.

Fognell, Eva and Alexander Brier Marr, eds. Art of the North American Indians: The Thaw Collection at the Fenimore Art Museum, 2nd ed. Cooperstown, New York: Fenimore Art Museum, 2016, p. 397.
On View
Not on view
Bowl
Coast Tsimshian or Nishga or Southern Tlingit
1800-1840
Raven Mask
Central Yup'ik
c. 1875
Proto-Frontlet
Tlingit
1780-1830
Mask
Haida
1810-1850
Ceres
Skillin
c. 1800
House Posts
Tlingit (Tongass)
1820-1840
Arapaho Buffalo Robe
Inunaina (Arapaho)
1820-1840
Jar
Sikyatki
c. 1450-1500
Bowl
Sikyatki
c. 1450-1500
Bent-Corner Bowl
Haida
1780-1840
Frontlet
Tsimshian
1825-1850

5798 STATE HIGHWAY 80
COOPERSTOWN NY, 13326
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